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Trish + Trisha ( research developments)


My fascination with Trisha Brown began by thinking about what it means to share the name Trish/a. What happens when names are called into a performative space? How do you grapple with the multitude of associations present for both the performer and the viewers/listeners?

By working across traditional performance spaces and radio transmission, the aether became a place where I could spend time with Trisha, allowing us to meet and potentially be in relation to each other.

This practice isn’t about becoming Trisha but instead setting up ways to spend time with her and her archival material. Allowing myself to imagine the in-between and the ways of moving my body and hers. I see the radio as a way for her and myself to meet in the aether – both bodiless – and see what happens.

    Trish                                    Wood
    Trisha                      Brown
    Tricia
Patricia
Pat
Patsy


Trish + Trisha (2018-ongoing)
Contributors:

With thanks to Lee Serle and Cleo Mees.


Trish + Trisha was initiated by an invitation to contribute to First Run, facilitated by Rhiannon Newton and Brooke Stamp at ReadyMade Works.
Trish + Trisha received DAIR support in 2019 from Australia Council of the Arts, Ausdance NSW, Australian College of Physical Education.
Trish + Trisha will continue through March Dance 2021, with a space grant from ReadyMade Works and a career development grant from Australia Council of the Arts to travel to New York and work with the Trisha Brown Dance Company in 2022.

Photo: Lauren Vassallo
Footage: Cleo Mees



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I acknowledge and pay respects to the Gadigal, Yirragandji and Gimuy Walubara Yidinji people on whose Country I live and work. I recognise their continuing connection to land, waters and culture and pay my respects to their Elders past, present and future.